1991-1995

MEDIA ARTS CURATOR. LONG BEACH MUSEUM OF ART, L.B., CA curated and developed grants for exhibitions of works in all media: "The Lost Room and The Call: Personal Insights on the Middle East and North Africa","Relocations and Revisions: The Japanese-American Internment Reconsidered", "Virgin Territories", "Choice Encounters", "Sugar 'n' Spice", "Diaries", "Gary Hill: Sites Recited", "Intelligent Ambience", "Dentro Brasil", "New California Video 1994-95". Administrative curator for guest exhibitions: "Motion and Document - Sequence and Time: Eadweard Muybridge and Contemporary American Photography" (Addison Gallery); "The First Generation: Women and Video, 1970/75" (JoAnn Hanley); "Good Stories Well Told: Video Art for Young Audiences" (Robin White); "The Music Box (Claudia Gould); and "Peep Land: Paintings by Jane Dickson" (Barry Blinderman). Produced catalogues in video format for "Relocations and Revisions", "Choice Encounters", and "Gary Hill: Sites Recited."

1990-1991

INDEPENDENT CURATOR. CURT MARCUS GALLERY, NYC curated exhibition "The Collectors' Cabinet" with artists Helen Chadwick, Orshi Drosdik, Martha Fleming and Lyn Lapointe, Robert Fones, Gary Hill, and Laurie Palmer (Sept. 6-29, 1990) and "Incognito" with David Askevoid, Barbara Bloom, Peter Fend, Susan Hiller, Coop Himmelblau, Charles Lahti, Tim Maul, Linda Montano, Richard Shaver/Brian Tucker, Ted Serios, Michael Tethrow (Oct. 17-Nov. 16, 1991 )

1989-1990

PRODUCER/CURATOR. THE VIDEO DRIVE-IN co-organized and programmed an outdoor public event of videos by emerging videomakers projected on a large screen with the latest projection technology at: Central Park Summerstage, NYC; Institute de Estudios Norteamericano, Barcelona, Spain; IVAM Centre Julio Gonzalez, Valencia, Spain; and Gulbenkian Foundation, Lisbon, Portugal

1983-1987

DIRECTOR. BASKERVILLE + WATSON, NYC. in charge of all aspects of gallery management and development; selection of artists (Dike Blair, Carroll Dunham, R.M. Fischer, Deborah Kass, Bill Komoski, Sherrie Levine, Richard Prince, Ettore Spalleti, John Torreano); preparation and coordination of exhibits, served as the initial contact between the gallery, media, clients, and the public; participation in the billing and selling of artworks.

1981-1983

ART CONSULTANT & INDEPENDENT CURATOR OF EXHIBITIONS worked with young contemporary artists of all media; sold work to private collectors, placed works in galleries and alternative spaces1 helped organize special projects and curated "Cave Canem", May 1982, Mudd Club, NYC; "LandscapelCityscape", March 1982, Jesef Gallery, NYC; "The Edge of Night", December 1981, Gallery Yves Arman1 NYC;