Victoria Vesna

2008

"Databases are Us" in Cognition, Communication, and Interaction: Transdisciplinary Perspectives on Interactive Technology. Ed. Satinder P. Gill. Springer-Verlag 2008. Pg. 517-525.

Introduction to Biotechnology: Hybrid Engineering and Animals, guest editor, Carol Gigliotti.
"The Nanomeme Syndrome: Blurring of Fact and Fiction in the Construction of a New Science" with James Gimzewski. Engineering Nature: Art & Consciousness in the Post-biological Era. Ed. Roy Ascot. Intellect Ltd.
Introduction to Media Literacy: twenty-first century arts education. Guest ed. Casey Reas. AI & Society, vol. 20, no. 4, September.
Introduction to Genetic Technologies and Animals. Guest ed, Carol Gigliotti. AI & Society, vol. 20, no. 1, January.

" NANO: An Exhibition of Scale and Senses". Leonardo Vol. 38, Issue 4 - August 2005 [pdf]
Switch Interview with Victoria Vesna. networked_performance: a research blog
local: [HTML], source: http://www.turbulence.org/blog/archives/000768.html

AI & Society. North American Editor. Vol 18, #2. Springer 2004. [jpg1] [jpg2]
“Community of People with No Time: Collaboration Shifts”. MIT Press. Pg. 249-261.
"Context Providers: Conditions of Meaning in Digital Arts". Co-editor with Margot Lovejoy and Christiane Paul. MIT Press. 2004.
“Time and Space of Fluid Bodies”. (English/Spanish) Asturias eds. Spain.
"Intervals of time and space" by Victoria Vesna. electronic book review.
local: [HTML] source: http://www.electronicbookreview.com/thread/firstperson/bioidea
“Future Echoes of Bucky”. Trimtab Newsletter, Buckminster Fuller Institute. Spring.

"notime: collaboration shifts". First Person, Wardrip-Fruin, Noah and Pat Harrigan, eds. First Person: New Media as Story, Performance, and Game. Cambridge: MIT Press
VESNA, V. "The Nanomeme Syndrome: Blurring of fact and fiction in the construction of new science." Co-authored with Dr. James Gimzewski. Technoetic Arts journal. May, 2003. [PDF] [word]
VESNA, V. "From Bodies to Networks to Nanosystems and Back". Artmedia, Paris, France, 2003. http://www.olats.org/projetpart/artmedia/2002eng/te_vVesna.html
[French_HTML] [French_PDF] [French_word] [French_bio]
[English_PDF] [English_word] [English_bio]
VESNA, V. "From Bodies to Networks to Nanosystems and Back". Curtin University graduate publication. Perth, Australia.

"Introduction to Buckminster Fuller by Victoria Vesna". Buckminster Fuller Institute.
local: [HTML], source: http://www.bfi.org/node/506
VESNA, V. "Buckminster Fuller". Pioneers and Pathbreakers. Leonardo Online-OLATS.
local: [HTML], source: http://www.olats.org/setF4.html & http://www.olats.org/pionniers/pp/buckminster/buckminster.php

telematic connections
VESNA, V. "notime: Identity and Collaboration Shifts" In: Siggraph 2001, Travelling exhibition: Telematic Connections: the Virtual Embrace. (http://www.siggraph.org/s2001/conference/art/papers.html#notime)
VESNA V. "Collaboration | This is not a pipe" (Editorial). In: School of the Arts and Architecture Newsletter. Volume Four, Number Two, Spring 2001.
VESNA, V. "Towards a Third Culture: Being In Between." In: Leornardo On-line. Vol. 34, number 2, p. 121, 2001. http://mitpress2.mit.edu/e-journals/LEA/ and http://mitpress.mit.edu/catalog/item/default.asp?ttype=6&tid=5265

VESNA, V. "Tracing Bodies Of Information Overflow". In: GRZNIC, Marina (Ljubljana) & EISENSTAIN, Adele. The Body Caught In The Intestines Of The Computer And Beyond: Women's Strategies and/or Strategies by Women in Media, Art and Theory. Budapest/New York/Cologne: Festival of Computer Arts, 2000.

VESNA, V., GILL, K., SMITH, D. & VAUX, J. (editors). "Database Aesthetics: Issues of Organization and Category in Online Art". in: AI-Society: The Journal of Human-Centred and Machine Intelligence. Springer. February/March.
VESNA, V. "Marketplace: Building a World of Agents and Avatars or Information Personae?" In: Swets & Zweilinger: Digital Creativity. Vol. 9 January/February.
VESNA, V. Terminals. Book/CD-ROM. University of California: ICA. January/February.
NIDEFFER, R., VESNA, V. (co-editor). "Online Public Spaces: Multidisciplinary Explorations in Multiuser Environments" (OPS:MEME). Special issue of American Behavioral Sciences. UCSB: Sage Publications. September.

VESNA, V. "Buckminster Fuller: Illusive Mutant Artist". In: Artbyte, The Magazine of Digital Arts. New York: Vol1, No3. pp. 22-29, Aug-Sept.
VESNA, V. "Education Automation on Spaceship Earth: Buckminster Fuller's Vision — More Relevant than Ever". In: Leonardo, vol. 31. Number 4. pp. 289-292. MIT Press.
VESNA, V. "Another Day in Paradise and Virtual Concrete: Preserved Palms, Concrete and Telepresence". In: Leonardo, vol 31, No. 1, pp. 13-19. MIT Press. http://mitpress.mit.edu/catalog/item/default.asp?ttype=6&tid=5022

VESNA, V. "Avatars on the World Wide Web: Marketing the 'Decent' ".In: Intelligent Agent. Fall Issue. New York: Hyperactive Media. pp. 7-13
VESNA, V. "Avatars in Cyberspace: Marketing the Descent" Reprint. In: Ars Electronica 1997 proceedings, Fleshfactor: Informationsmaschine Mensch.Vienna: Springer (Reprint translation to German). pp. 168-180
VESNA, V. "Marketplace: Building a World of Agents and Avatars or Information Personae?" In: Consciousness Reframed. Newport: University of Wales, UK. pg. 89.
VESNA, V. "History of Art & Computing: Problems in Organization of Logic and Memory".In: VTEXT, Hong Kong: Videotage (English, Chinese). pp. 11-15.
VESNA, V. "Incorporated Avatars: Organizational Contradictions in Cyberspace". In: Imagina proceedings, Networked Arts, Monaco: INA (English, French). pp. 24-36.
VESNA, V. "Under Reconstruction: Architectures of Bodies INCorporated". In: Veiled Histories: The Body, Place and Public Art. ed. Anna Novakov. New York: Critical Press. pp. 87-117
VESNA, V. "From Fe-Mail to f-e-mail & Beyond: cyberfeminist networks on the web". [English/German] In: Women Beyond Borders. Graz: Kunsverein W.A.S. (English, German). pg. 53.
VESNA, V. "Virtual Concrete". In: Thresholds: viewing culture. Vol. 9, pg 78. University of California Santa Barbara.

VESNA, V. "Sometimes a Cigar is Only a Cigar (Freud)" In: International Book Fair. Belgrade, Yugoslavia: Distributed by the Dia Foundation, Printed Matter. | NYC March/April '93 Focus in the American Book Review "Visual Literacy".